More reviews

The Soul, The Fisherman, by Max Paul Eldin, London International Festival Opera

Opera Magazine
‘... Impressive voice and presence’

Ned Keene, Peter Grimes

Opera Now
‘Excellently cast Mark Oldfield (Ned Keene) rippled with confidence’

Romeo, Julia, Opera Factory, Zurich

The Times
‘... the piece provides the opportunity for some remarkable performances, notably from Mark Oldfield, an ardent high baritone, as the Shakespeare Romeo’

Financial Times
‘I noted with pleasure the voice of Romeo, Mark Oldfield’

Il Barbiere di Siviglia, Opera and Concert Productions Worldwide

Gulf News, Dubai
‘The highlight of the show was definitely Mark Oldfield’s performance as Figaro; his energy and comical theatrics had the audience in stitches’

Business Times, Singapore
‘Mark Oldfield was an excellent Figaro. He exuded the aura of a man who was in control in every sense of the word’

Title role, Don Giovanni

The Scotsman
‘Mark Oldfield was a fine sneering Don Giovanni’

Dunstan, Silas Marner, City of Birmingham Touring Opera

The Independent
‘The dastardly Dunstan Cass (Mark Oldfield) rises wildly to his fate’

The Times
‘Mark Oldfield is in fine voice’

Noir by Colin Riley, with ‘The Opera Band’ at the Purcell Room and in Birmingham

Birmingham Post
The production is helped by the performance of Mark Oldfield who, as well as singing (and acting) the central role well, has the vintage Hollywood good looks to make a convincing leading man’

Opera Now
‘The production gets considerable boost from the fine performance of Mark Oldfield ...’
Opera Magazine

HMS Pinafore, Perth Theatre

The Courier
‘Mark Oldfield in the role of Captain Corcoran ... what a voice – at its glorious best in the aria “Fair Moon to thee I sing’

Il Turco in Italia directed by Simon Callow

The Times
‘The catalogue of mischances, disguises and mistaken identities is ingeniously held together by the central figure of a jobbing playwright. Baritone Mark Oldfield assumes the part with poetic finesse’